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Instagram Trends Changing Through The Past Decade

As the widely accepted definition suggests, the trend is “a general direction in which something is developing or changing”. If we analyze the meaning of the word “trend”, just a little bit further, we’ll come to the conclusion that this kind of development is not necessarily a matter of growth, evolution or maturity. It’s more about spreading.

When something is called trendy, we already know that something is hyped, meaning popular in the sense of style, at a certain period in time. The trend is, then, more publicity, fashion, and marketing affair than an overall tendency toward change itself.

In the realm of social media, when something becomes a trend, it means that many posts, photos, or videos on the platforms, will be dedicated to this topic. Instagram is probably the trendiest of them all. Starting something new, which will be accepted by many and end up on the top of the Explore or Hashtag page, is not easier than buying Instagram followers https://howsociable.com/buy-instagram-followers/. Some work has to be done, but at the end of the day, trendsetters are probably very proud of themselves. 

Trending on Instagram can be a product of share luck, but according to experts, there are tips or rules that an ambitious creator should follow in order to start a new fashion. Generally, high-quality content, carefully composed to catch the attention of the audience with its esthetic, should be a good start. If the topic is interesting and authentic enough to provoke the reaction, the next step would be to choose a good hashtag. These little helpers can do wonders, in the sense of visibility and audience targeting. Additional effort to create relevantly popular or unique hashtags will be rewarded with an increased engagement rate. For those not skilled enough, few very good hashtag generator tools are already available on the market. Finally, timing, tagging locations, and working with other influencers are equally important, and should not be neglected during the trend pursuit.

Now that we know what is crucial for trending, it would be interesting to examine how were Instagram trends changing in the last decade.

The period from 2010 to 2020 transformed the way we see the world and ourselves almost fundamentally. Technology and digitalization can be “blamed” for this as well. Smartphones and platforms connected us tightly, into one large mass called the global audience. As we are so grouped and our attention is focused on the content services, it was an ideal situation for innovations, changes, and even new social movements. Although some of them came as positive, we witnessed more than one situation in which these perfect conditions to create something good mutated with the not so right outcome, socially, culturally, or even morally speaking.

Social media were probably the biggest trend in the last decade, especially Instagram. Launched in 2010, it evolved from a selfie sharing platform to a serious brand. Ten years ago, companies and influencers were almost nonexistent. It was a place reserved for amateur photos of faces and tables with meals and drinks. Nowadays, you can hardly come across a respectable brand, especially in the fashion and beauty industry, without a profile. Rule number one, if you want to be visible on Instagram, is a high-quality photo. Filters, apps, and other Instagram-only options can make posting more exciting and funny. At the same time, they can give the follower a sense of belonging to a big, happy family. Companies are able to directly communicate with their customers and nourish their relationship with giveaways, discounts, and similar tactics.

Instagramers went through some changes, as well. In the beginning, it was all about perfection, unrealistic lives, and photos of expensive items, houses, cars, and luxury holidays. At some point, followers obviously got fed up with too much flawlessness, which created the right moment for the rise of the relatable influencers. Tired moms and people with health issues and disorders attracted followers with similar problems, who needed to know that they are not alone.

 

Instagram Trends Changing Through The Past Decade
Photo by Omkar Patyane from Pexels

 

Social activism, such as climate change movements or campaigns dedicated to sexual harassment awareness, is no longer reserved only for the text-oriented platforms. Memes and stickers made it possible for people on Instagram to gather around the same idea or purpose, and to make it trending within hours.

Making trends on Instagram comes with a certain amount of responsibility. The University of Pennsylvania researched the connection between social media and our well-being and published the findings in the Journal of Social and Clinical Psychology. The study was conducted on 143 participants and showed that we need to “reduce opportunities for social comparison”, and generally “put our phones down” and live our lives.

Analyzing how Instagram’s body standards changed during the last ten years, should make us puzzled enough to wonder what is wrong with some trends. In 2013, it was the thigh gap trend, which demanded legs to be so thin to not touch above knees. Next year, the bikini bridge emerged, and women were trying to be skinny enough to make the space between hip bones in the abdomen area visible. After that, endless, exhausting workouts in order to get a thin yet muscular body took over the trending. The year 2015 was all about hashtag “strong not skinny”, healthy eating habits obsession, fitness gurus, and photos of perfectly shaped bodies. In the following years, we’ve had a thick fit, ribcage bragging, and thick slim trends. 

Looking at the perfectly edited photos can be harmless if you can keep in mind, at all times, that they are not real. It might sound strange but, otherwise, it can cause serious damage to our self-esteem and eventually become a source of depression and loneliness. So, be smart with trends, if you want to participate in the game, do it wisely.

 

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Book Club Culture Movies

Top publicist Dick Guttman on Hollywood, New York City & PR

Dick Guttman & wife Gisela

What do Barbra Streisand, Audrey Hepburn, Jay Leno, Clint Eastwood, Gene Hackman, Elizabeth Taylor, Warren Beatty, and Goldie Hawn have in common? Superstardom aside, all of these stars have chosen Dick Guttman to represent them as their publicist. Dick’s 60+ years as an in-demand publicist inspired him to write Starflacker: Inside The Golden Age Of Hollywood, a memoir full of stories about working with some of Hollywood’s biggest stories.

Downtown had the pleasure of speaking with Dick a few months ago, and that telephone conversation had lots of leftover wisdom. In turn, it was only right to post Part 2 of our Q&A; Part 1 can be read here.

Another Huffington Post piece of yours hints at old Hollywood coming back, and you’ve mentioned in interviews things that were better about old Hollywood. But what are some of the things that you think are better these days about how Hollywood works? Is there anything?

Dick Guttman: I think there must be. (laughs) Really the strange thing is the film that served end of the Golden Age was one of the best movies of old time, Star Wars. It had all the conventional things that a good movie had with real compelling characters and really strong narratives and wonderful comedy…but it was the first film that sort of showed that the visual imagery…You know there will be Star Wars sequels forever just like there’s Batman sequels forever, and I think that it distracted Hollywood from the concept of introducing really compelling people…I mean, they still make wonderful movies…

Do you have any hobbies away from Hollywood? Or have movies always been your career and your passion?

Dick Guttman: This is really embarrassing, and I think it’s the latter…one of my hobbies is etymology. I love to read dictionaries and I love to know how words are constructed. It’s really astonishing. I was looking up the definition and the derivation of “atonement.” That’s an interesting thing…It doesn’t come from Latin or anything else, it comes from a Middle English phrase for they had a phrase that was “at-one-ment,” the state of being at one within yourself. So it was really not “atonement,” it was “at-one-ment”…I remember in French class we were talking about, it is a very important word, “remorse”…That’s great if you can actually make discoveries that nobody else knows about.

Sure, and I’m sure you’ve been to New York hundreds of times for press trips and business. Do you have any favorite restaurants here?

Dick Guttman: Actually I haven’t been there as often as you’d think…The last trip, Turner Classic Movies invited me to be a guest programmer. Well that was a greatest honor I could ever receive…My most interesting trip, my wife was with me and Freddie Fields, who was the head of MGM…He said, “Are you guys doing anything tonight because I’ve got this kid Mel Gibson here. He is in the film, he doesn’t know anybody, could you take him to dinner?” It was a really interesting thing because he was so insular, very sweet actually.For that reason I remember the Odeon restaurant in SoHo, and the one place I would go for quite often I have a really good memories is the Russian Tea Room.

Oh yeah, on 56th Street…

Dick Guttman: Yeah, it just seemed to be an interesting place where interesting things happen. It was where in the film that Dustin Hoffman where he was transgender…

Tootsie?

Dick Guttman: Tootsie, yeah, they stage this great scene with Sydney Pollack there. For me, out here it was the Hollywood Brown Derby, because when I was a kid I would do two or three interviews there every week. It was really a holy place and you go in there and there would be Joan Crawford and there would be Errol Flynn and there would be George Stevens and all these great people would gather there. It’s where Lucille Ball stalked Bill Holden, you know it was famous for that, and so it’s turned out that it was torn down. I’ve been very much involved in an effort to return filmmaking to Hollywood. I mean, it’s tragic for me that I grew up and you would go to MGM and on stage 25 and all the great films are shooting there. You walked among the giants.

Because of that we started a new tradition called Made in Hollywood Honors when I was handling The Artist…I wanted a really great place to stage it and my daughter is sort of the managing partner of a very famous apartment building, luxury apartment building in Hollywood at the corner of Hollywood and Vine, 1600 Vine. 1600 Vine was the address of the Hollywood Brown Derby, and so I said, “You know darling, you have an obligation here, you sit on one of the greatest holy places in Hollywood. Let me use your facilities and your terrace.” She sponsored it. 1600 Vine is the sponsor of these awards which we give every year…That Honors ceremony is kind of my hobby and we’ll get people back here.

That’s wonderful that you found a way to give back, that’s not just a typical fundraiser or just the self-congratulatory way. You’re giving back to actually rewarding the people who keep the business there…

Dick Guttman: Last year we wanted to expand that and give a lifetime achievement not to people for their excellence but for their dedication to Hollywood and all that. So we chose John Williams. Williams scored 70 films…There may have been a couple he didn’t score here but almost all of them were then with Hollywood musicians. Hollywood made an incredible contribution to music because in the 1930s, when so many great composers of the century were forced to leave Europe to come here, it gave them a place to practice their craft…He won many Academy Awards and his scores were fantastic, but he had a very volatile personality, which I enjoyed.

So finally, Dick, any last words for the kids?

Dick Guttman: When they allowed me to do the Turner Classic Movies event, the last question to me was, “If you were starting over, would you do it again? Would you have made the same decision? Gone on with the same profession?” I’d never been asked and I had never thought of it and I said, “No.” It just struck me as strange but the answer was no because it’s lost the human component. It’s not as strong as it was.

I wrote Starflacker because I worked with probably 300 of the greatest talents of film history, and each one of them was a unique personality, and you know funny in his own way or her own way, remarkable, loveable…

I think I wanted to go into publishing. I’d never heard of publishing, I just got a job as an office boy at Rogers & Cowan, but when you find your North Star, you go after it, so I just loved what I did. You know there were aggravating times, talented people can be quite severe in their relationships with people, but I was in love with the people who made that great form of literature that was of our century. The 20th century gave the world visual literature that could be transported. Theater has been there since the Greeks and I’m sure long before, but motion picture had a common language and I was really proud to be part of it…I love the show, I love the business, these people who are funny, you can’t ask for more than that.