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Rebel Rebel

In John Varvatos’s world, music and fashion combine to create a lifestyle brand for those about to rock.

by Deborah L. Martin photography by Andrew Matusik

 

JOHN VARVATOS IS A ROCK AND ROLL guy, and he arrives at his Bowery flagship store
for our 8 am call time looking the part: skinny jeans, leather jacket, stone-cold stare. It’s clear that he hasn’t been in the store in a while and he busies himself with his team, doing some merchandising. “I don’t want these shirts like this. People don’t shop this way.” He’s walking around the store doing something that people who know retail understand. He is shaking things up. When we sit down to talk, I nd that this is a phrase he uses often, and it’s something he is proud of. “In my company, we hire a lot of young people, in the design studio, in sales, in the stores. It’s inspiring to be around. I’m someone who loves change and I’m so in there with them. I just want to shake shit up. I say it all the time, it’s in my DNA.”

 

Rebel Rebel
John Varvatos by Andrew Matusik

 

As it turns out, the stone-cold stare is the public face, and behind that is a warm, funny guy who is a bit verklempt, and grateful, for the way his life has turned out.

John Varvatos the brand, and John Varvatos the man are both known for their rock and roll edge—from the musicians who have appeared in his ad campaigns to the New York flagship location in the former home of CBGBs, Varvatos has managed to weave his passions together in a way that eschews the normal ebb and ow of “fashion.” He says, “Music was my energy force as a young kid growing up in Detroit, in a 900-square-foot home with seven people. My escape was to put my headphones on—it transported me someplace else.” That love of music is the baseline for everything he does.

“I don’t really use the word fashion,” he says. “I talk about style. Our designs are inspired by my sense of rebelliousness and toughness, which is what rock and roll stands for.” He knows his customer. “Our guys range from Wall Street and business people to music artists, but they all have that creative bone.” He continues, “We don’t think about fashion of the moment. For me, style is more timeless. Our customer doesn’t need something obvious. They are the anti-obvious.”

And what about those musicians?

“They are probably the smallest part of our business, but thank goodness we have them, because they add a cool vibe.” Varvatos has called on some of those rockers to star in his ad campaigns. “All those people have become friends. They do it because they want to be associated with the brand. There’s no real money of any consequence attached to it, but they like the association, they like me, and we have a relationship. Like anything else, it has to be good for everyone. and it is good for them, as well.”

 

Rebel Rebel
John Varvatos by Andrew Matusik

 

The list of names who have appeared reads like a list of inductees at the Rock and Roll Hall of Fame. Ziggy Marley, Ringo Starr, Kiss, Iggy Pop, Chris Cornell, Alice Cooper, Dave Matthews, Questlove, ZZ Top, Jimmy Page—the star-studded roster goes on and on. Varvatos says, “The guys from Kiss invited me to their farewell tour, and it’s the friendship that’s important. The thing I’m proudest and most humble about is that they consider me one of their own, and not just some fashion guy that’s trying to get rock stars to be in his ads.”Varvatos isn’t just “some fashion guy.” He started in Midwest sales for Ralph Lauren in 1983, and moved his way up the ladder, eventually taking a design post in New York. In 1990, he joined Calvin Klein, where he launched the menswear collection, the cK brand, and the hugely successful underwear line, in the process gifting the world with Mark Wahlberg in boxer briefs (which he invented by cutting the legs o long johns). After a short stint at London Fog, he rejoined Ralph Lauren as vice president in charge of men’s design for all Polo Ralph Lauren brands. In 1998 he joined Nautica Enterprises, who agreed to back his own brand, which launched in 1999

“These were great learning places for me.

I’m still close with Ralph and Calvin, and they respect what I do. When your mentors give you cred, it’s a humbling thing.” He chokes up a little when he says, “My wife ran into Ralph in the park and he told her, ‘I’m so proud of John, he really did what he said he was going to do.’”

He views the brand as a culture, and the Bowery store—once the site of one of the most infamous clubs in music history, CBGB & OMFUG—is a big part of that culture. “We are really thrilled with the people who come to visit the store because of its history. They want to come in and hang out and it’s all about the culture. That’s why we do concerts in the space. We clear out all of the clothes and turn it into a club again.”

 

Rebel Rebel
John Varvatos by Andrew Matusik location WTC 3

 

In addition to the clothing, there is also the punk documentary produced with Iggy Pop, a music label, the annual Love Rocks concert for Gods Love We Deliver, relationships with AMFAR and Stuart House in LA, and a brand new tequila launch with friend, Nick Jonas. “I started the music label about four years ago, with Universal and Republic records. We signed the Zac Brown Band, and we had a multi-platinum album right out of the gate.” After leaving Universal, Varvatos teamed up with Scott Borchetta and created Big Machine John Varvatos Records. The label’s first band is a young group called Bad ower. Varvatos says, “They are one of the most incredible bands I’ve heard over the last 10 years. I was in LA in the spring and the kids were lining up for four hours before the show because they wanted to get the best place in the theater. When I saw that I had goosebumps. For me, it’s about helping young artists and their voice.” The label has just added another band out of Wales called Pretty vicious.

Varvatos friendship with Nick Jonas goes back to a dinner party where they were seated together.

“We realized we had a lot in common, including a love of tequila. The next day he called me and said ‘I’m in the recording studio and I’d like to play you some of the new music.’ When I got to the studio, there was a bottle of tequila sitting on the soundboard. For the next few hours, we drank tequila and talked about life.” The friendship developed into a fashion and fragrance collaboration and just this summer, villa One tequila was born. Varvatos says, “I’m proud of it, and of my friendship with Nick. He’s half my age but he has the heart and soul of someone who is much older.”

 

Rebel Rebel
John Varvatos

 

The success of the brand, and his passion for music have taken him on a wild ride. “To quote the Grateful Dead, it’s been a long strange trip. It was never a plan.
I wanted to be a musician but I wasn’t a good musician, I didn’t have a great voice. But I lived through the music and organically this happened.” He continues, “We didn’t even talk about rock and roll when we started the brand. And then suddenly Jimmy Page is calling and telling me he’s coming to New York and says he loves my stuff and wants to meet up. These people become friends because we have a similar core ethos.”

Varvatos is at the top of his game, enjoying the adventure, challenging himself and his brand. “Success isn’t just about the product. It’s about what you do that’s different from the rest. If you don’t do something different, there’s no reason for being. I am so blessed. I get to do all of these cool things that I never could have dreamed of as a kid. I’m so blessed.”

 

 

https://www.dtm.wix2wp.site/easy-rider-celeb…-city-music-hall/

Categories
Culture Entertainment Music

Legendary photographer Bob Gruen talks downtown living

Bob Gruen
Bob Gruen

Bob Gruen is not only one of the most famous rock photographers, but one of its most prolific as well. If you’ve seen a photo of John Lennon wearing a “New York City” t-shirt, Bob took it. If you’ve seen a photo of Led Zeppelin standing in front of an airplane with their logo on it, Bob took that one, too. He has captured countless iconic images over the past five decades that we’ve grown accustomed to seeing on posters, shirts and the pages of books.

As a 50-year resident, Bob Gruen’s name is practically synonymous with downtown New York. Thanks to Carol Klenfner’s connection, I had the opportunity to conduct a Q&A with Gruen about his past, present and future, garnering a rare look at the man behind the lens. His work ethic is to be admired, and his “last words” are inspiring to all, not just to photographers. Much of Gruen’s classic work has recently been reissued, but there is a permanent display at Edition Hotel at 5 Madison Ave. [Editor Note: This article originally appeared in the Spring 2016 issue of Downtown Magazine.]

What was your first paying gig as a photographer?

Bob Gruen: I lived with a rock band [Glitterhouse] in the ’60s, and when they got a deal at Atlantic Records, they used my photos for their publicity. Atlantic then hired me to shoot Tommy James and the Shondells, when they were opening at a presidential rally for Hubert Humphrey.

 What is it that you like most about living downtown?

BG: There is less traffic, and it’s quieter, because most of the streets are shorter and smaller than uptown, and the buildings are lower, so there’s more sky. But we’re close to everything going on in the city.

When did you first move downtown?

BG: I moved to Sullivan Street in June 1965, and I thought the Feast Of St. Anthony was a great welcome. I’ve lived in the West Village since 1970.

What is it that keeps you living in Manhattan, as opposed to moving to L.A.?

BG: I’m not moving to L.A., because I’d only last a few days there! The sun is nice, but it’s way too spread out, and there is so much traffic, it takes hours to get anywhere, and when you meet someone in L.A., they say, “How are you doing?” In New York they say, “What are you doing?” I like to be doing things.

https://www.youtube.com/watch?v=CUM9pTkw1-E

Is your neighborhood on the verge of becoming another SoHo?

BG: I think the West Village is becoming another SoHo with high-priced shops and luxury condos, but I’m not ready to move. 

Do you have a favorite venue in Manhattan for photo shoots? Or at least a favorite for concerts?

BG: I don’t really have favorite venues where I take photos, but I always like to see shows at the Beacon [Theatre], because it’s such a beautiful theater, and the sound is good. Past favorites were Max’s [Kansas City], The Bottom Line, CBGB’s and Don Hill’s, all now gone. But now, I think, for a club, I like Bowery Electric.

To you, is music good these days? Or are the best days of pop and rock behind us?

BG: I usually think the best day is today. You can’t go back, and I find good music all over town.

In October, your book on John Lennon was re-released. How does it compare to the original release?

BG: The new edition of John Lennon: The New York Years has a new cover and 16 new pages with 24 photos not published before.

Do you feel that there are any misconceptions about John? Or is there something you wish more people knew about him?

BG: John was very open about his life; I don’t think there are misconceptions. If people really want to know about John Lennon, they should read the last two interviews he gave — the BBC interview by Andy Peebles and the Playboy interview by David Sheff — both available as books. John expressed himself very clearly and had learned a lot from his five years of raising Sean [Lennon].

Do you have any exhibits in the works? Or any other books?

BG: There is a new permanent installation of 45 of my photos in the Billiard Room [in the Clocktower Restaurant] at the new Edition Hotel on 24th Street. This year, I released a new book of photos of Yoko Ono, See Hear Yoko, and there was a reissue of…The Clash. Photographs by Bob Gruen….My large 500-photo monograph, Rock Seen, is now in its 4th printing. I’m currently working on an autobiography.

Is there anyone you haven’t yet photographed but still hope to?

BG: I’ve met many very interesting people, and I can’t say there is anyone special I can think of I’d like to photograph. But I go out all the time, and I’m always happy to meet new people.

If a person were thinking of getting into photography as a proper hobby, is there a particular camera you’d recommend to start with?

BG: The camera doesn’t matter as long as you’re comfortable with it; they all do mostly the same things. It’s what you do with it that matters.

Is there a photograph or a particular shoot that you’re most proud of? Or see as your biggest accomplishment?

BG: I don’t like to list “favorites,” but certainly my photo of Tina Turner. Catching multiple images in one shot is a good one, and the world’s favorites — my John Lennon in the New York t-shirt or Led Zeppelin in front of the airplane — are pretty good, too.

When you’re not busy with your career, how do you like to spend your free time?

BG: I’m busy with my career most of the time, but I like to travel and visit with my family and grandchildren now.

Finally, Bob, any last words for the kids?

BG: I always tell people that if you take a lot of pictures, you’re bound to get a good one, and if you only show the good ones, people will think you’re good. Other than that, learn from the past, look to the future, but live in the present.