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Culture Music

Larkin Poe’s Rebecca Lovell on opening for Elvis Costello on Oct. 1, Conan, Joe’s Pub, and more

Larkin Poe
Larkin Poe

Larkin Poe may have started in 2010, but its members — sisters Rebecca and Megan Lowell — have been at it for much longer than that. Alongside older sister Jessica, Rebecca and Megan were two-thirds of The Lovell Sisters, which released two independent albums, performed at Bonnaroo and appeared on Garrison Keillor’s A Prairie Home Companion. Since regrouping as Larkin Poe, the Lovells have released two studio albums, five EPs, one DVD and a mix of collaborations; work with Steven Tyler on his #1 country album We’re All Somebody From Somewhere is among those collaborations.

Someone that Larkin Poe has often collaborated with is the legendary Elvis Costello. The sisters — currently on the road in support of 2016’s Reskinned — will be coming through town with Elvis for an intimate Oct. 1 show at The Town Hall. Both acts will be performing acoustically for this Saturday night outing in Midtown.

For more info on the Georgia natives, click on over to www.larkinpoe.com. The Lovells are also known to be very active on Facebook, Twitter and Instagram.

There are a lot of notable Larkins out there. Baseball player Barry Larkin, Joan Jett is Joan Marie Larkin, British actor Chris Larkin…Do you have a favorite?

Rebecca Lovell: Joan Jett definitely wins the blue ribbon. She’s been a huge source of inspiration for us as we’ve continued to delve deeper into our own rock sensibilities. No one sings rock ‘n’ roll like Joan.

Where was the first gig you ever played live in New York City? What do you remember about it?

RL: The first gig we ever played in New York City was at Joe’s Pub, years and years ago. We were touring as an Americana string band called The Lovell Sisters and, if memory serves, we had a lovely crowd and a lovely reception.

What should be expected from your upcoming show at Town Hall? Full band in tow? Songs from both albums and all of your EPs?

RL: At Town Hall, we’ll be opening up the show as a duo. For Elvis Costello’s Detour, we’ve been enjoying the intimacy of stripping back our performance and highlighting the sister connection we share on-stage. Folks can expect to hear a smattering of existing songs off our album Reskinned, and of course — because we are classically-impatient artists — a bunch of new, unrecorded songs.

Do you have a favorite song to perform live?

RL: “Blunt,” off our album Reskinned, is an especially fun song to perform as a duo. The lyrics are edgy and singing them into a silent, listening room is a spine-tingling experience.

How did your collaboration with Elvis Costello first come about?

RL: We met Elvis many years ago at an Americana music festival in North Carolina called Merlefest. Serendipitously, we all wound up on-stage together singing a gospel song during an “all-star jam” and an immediate kinship was struck. In the intervening years, he’s graciously asked us back again and again to sing and musically support him on a variety of tours. We’ve learned so much and loved every single moment.

You two have performed as backing musicians for a great variety of artists. Was it ever the plan to be career backing musicians?

RL: We wouldn’t consider ourselves “career backing musicians.” Yes, we have had the honor of stepping onstage with many great artists and supporting them on their own artistic journeys for a few shows or tours, but ultimately, we our artists in our own right. As artists, we want to learn as much as we can from the experience of other performers whom we respect. To that end, we’ve been able to glean a lot of tips and tricks from people who have been writing, recording, and touring for longer than we have been alive.

Is there a professional accomplishment that you’re most proud of?

RL: Performing on Conan O’Brien was a cool milestone. Knowing that all our family and friends were tuning in to watch us play was deeply moving — as was the onslaught of loving texts we received after the broadcast.

What’s coming up for you after this tour with Mr. Costello wraps?

RL: We’re heading back to the U.K. for a Larkin Poe headline tour in November/December, but our main focus is continuing to write and evolve for our next project. We’re looking forward to releasing more music for our fans next year.

When not busy with your career, how do you like to spend your free time?

RL: Family, books, hiking, cooking…Songwriting. Songwriting. Songwriting.

Do you have a favorite restaurant in New York?

RL: Macbar — it’s a mecca for mac ‘n’ cheese. Need we say more?

What’s your favorite album so far of 2016?

RL: Sturgill Simpson’s self-produced album A Sailor’s Guide To Earth is magnificent.

Finally, Rebecca, any last words for the kids?

RL: Always give the opening band a chance.

Categories
Culture Events Living

GOGO THIS WEEK FOR DOWNTOWN: Monday, Aug. 1-Monday, Aug. 8

new-york-city-962794_960_720Photo: Courtesy of Pixabay.com

Gogobot is an innovative planning tool that tailors recommendations for places to stay, eat and play to your specific tastes. It also allows you to share your great experiences with people who have the same interests as you; people in your “tribes.” Gogobot’s GoGo This Week feature empowers you to discover and take advantage of great events, openings and exhibits throughout the city each week. Here are some exciting events and sites to check out in downtown New York this week, courtesy of Gogobot. Visit the website or download the app for more GoGo This Week upcoming events.

 

1. Outdoor Screening of The Goonies
Union Square Park (Union Square)
Thursday, Aug. 4 from 8:00 to 10:00 PM

The film The Goonies taps into our sense of adventure, our belief that we can right wrongs, and that friendship is the strongest force in the world. If you know this 80s classic, we don’t need to convince you that  it’s one of the greatest films of all time. If you’ve never heard of it then do yourself a favor, grab a few friends and head to Union Square Park for an outdoor screening of this marvelous film. FREE

 

2. Summer Streets
Check website for locations
Saturday, Aug. 6, 13 and 20 from 7:00 AM to 1:00 PM

Summer Streets is a large-scale block party that celebrates New York’s best feature–its streets. Modeled after similar program in Europe and Central America, the objective is to remind New Yorkers that the concrete jungle can also be very green. Starting at Brooklyn Bridge and extending to Central Park, 7 miles of streets will be closed to traffic but open to arts and crafts workshops, musical performances, dancing, healthy food stands, massive water slide, rock climbing wall zipline and much more. Bike, run, stroll, hop or skip on down! FREE

 

3. El Caribefunk Concert
Joe’s Pub (East Village)
Thursday, Aug. 4 at 9:30 PM

We are beating the heat with El Caribefunk at Joe’s Pub. The band’s unique sound blends the best of salsa, funk, and reggae. Trust us, you’ll want to leave the AC behind to see these guys. $15

 

4. Silent Summer Dance Party
Nelson A. Rockefeller, Jr. Park (Battery Park City)
Saturday, Aug. 6 from 12:00 PM to 4:00 PM

You could hit the beach this weekend or you can enjoy the sun with a view, music and dancing at Battery Park’s Silent Summer Dance Party. There will be a live DJ and food trucks. FREE, with headphones included.

 

5. Fivestory Sample Sale
260 Sample (SoHo)
Wednesday, Aug. 5 from 10:00 AM to 7:00 PM; Thursday, Aug. 4-Saturday, Aug. 6 from 11:00 AM to 7:00 PM; Sunday, Aug. 7 from 11:00 AM to 5:00 PM

Luxury retailer Fivestory’s off-site sale is heaven on earth for those longing to buy threads (and accessories) from the likes of Balmain, Thakoon, Creatures of the Wind, Chalayan, Jason Wu, Alexander Wang and Cushnie et Ochs at 80% off.  

 

If you know of great events happening in your neck of the woods that might be a fit for a future GoGo This Week column, please feel free to email details about the event to events@gogobot.com

-Courtesy of Gogobot

 

Categories
Culture Events Featured Music

Tina Dico sells out 2 shows in New York City, talks Iceland, being on the road and more

TinaDicoAcclaimed Danish singer-songwriter Tina Dico recently passed through New York City, giving two back-to-back intimate concerts at The Public Theater’s Joe’s Pub. For both of these sold-out shows, she was accompanied by her husband and fellow musician, Helgi Jónsson. With her powerful voice, soft guitar strokes and a great mix of older and newer songs, the audience was clearly spellbound by both Dico’s pensive lyrics and the chemistry — musically, as well as personally — between the couple on stage.

In 2000, Dico started her own record label, Finest Gramophone, with its first release being her debut album Fuel. Since then, Dico has put out nine more albums, including a soundtrack to the Swedish movie The Road To Gävle and a greatest hits — thus far — release. The 2010 album Welcome Back Colour made a household name not only in her native Denmark but also internationally. Follow-up albums have also received tremendous international attention, the latest being Whispersabout which the Boston Globe wrote: “One of pop’s more expressive vocalists, Dico delivers wonderfully direct performances without any hint of false sentiment or heightened melodrama.”

While in New York, Dico spoke to Downtown about life in Iceland — and on the road — with her aforementioned musician Helgi Jónsson, songwriting and where she finds her inspiration.

For more information about upcoming tour dates and her music check out Dico’s website, and/or find her on Twitter and Instagram under @tinadico.

Tina-Dico

With your latest release Whispers, what is something your especially proud of — or love — about this album?

Tina Dico: I love the calm vibe of it, the depth and warmth of the overall sound, and that some of the songs have a dark masculine vibe about them. I especially love “Someone You Love” and “The Woman Downstairs.”

Looking back on your musical journey from your debut album Fuel to your latest, how has your music evolved with you?

TD: I used to be more hectic — as you often are when you’re young. I sang at the top of my lungs and wanted to squeeze as many messages into every song as possible. I felt I had so much to say! I still love singing most of my old songs, but the songs I write now are calmer and looking at things from above, like me.

Living in Iceland, I imagine the pace must be quite different from living in a bigger city. What do you like about living in Iceland? And do you sense it in your songwriting?

TD: I definitely sense the space. There’s space for big thoughts and letting your mind fly high and free. It’s not like my music has started sounding more Icelandic or “Elvish,” but just being here inspires me to write. Surrounded by these vast landscapes, I feel like a small part of a bigger picture and it makes me want to reach out.

When it comes to songwriting, how much do you draw from your own life? Is songwriting a kind of therapy for you?

TD: It is therapeutic and I do draw a lot from my own life. I can’t write about feelings or questions or themes that haven’t passed through my own emotional system. Like, when I write about my old “friend in a bar” and her problems of being stuck in the past. I wouldn’t be able to describe “my friend” if I hadn’t been in her shoes myself.

Having said that, I don’t write songs that feel private to me. I experience something, digest it, move on from it, and then I write the song. When I’m ready to look at the it from a distance.

Where do you find your inspiration? And has it changed over the years?

TD: My approach has changed, but I think the source for inspiration is the same. Essentially an urge to put this crazy thing called life into words to try and create a sense of order in the chaos. I guess I’m quite chaotic inside and I need songs as cornerstones to hold on to.

A song is usually sparked by a simple sentence, it could be anything, and then words start to build around it, and the music sort of gets weaved into that.

How does being a mother and a wife play into your music career and a life on the road? Right now your children are young enough to take on the road and you play with your husband, but is it something you think about — how to combine life on the road when your children get older?

TD: I think about it A LOT. It used to be easier. When they were babies and they didn’t need constant entertainment. I still haven’t worked out how it’s gonna be in the future. At some point we will simply have to tour a lot less. It’s really not easy to juggle these things as I’m sure many busy and ambitious mums — and dads — out there will agree.

Speaking of life on the road and concerts, do you have a most memorable performance experience?

TD: So many! From the smallest rooms to massive festival stages. Last summer I did a guest performance with a big, quite dark and raunchy Danish hip-hop act on the main stage at our biggest festival, Roskilde Festival. 80,000 people were in a frenzy, undressing themselves and each other, and I have never seen anything like it. It was a scary and beautiful and deeply fascinating view from that stage. Not quite like at my own shows. (laughs)

And what about watching other artists perform, what are some performances that have had a big impact on you?

TD: I saw Björk and Rage Against The Machine at a small venue in my hometown in 1993. A Tuesday and Wednesday evening same week. Neither of them were particularly well-known. Best concerts I’ve ever seen!

Cities and places seem to play a big part in your songs — your “love song” to Copenhagen, talking about writing one for your hometown Aarhus, and also cities such as London and Paris – do you see yourself ever writing a song about New York City?

TD: I already did. (laughs) It’s called “Me And Maggie In New York City.” It was never properly released, but I actually think it’s an awesome song. But yeah, who knows, maybe there’ll be another one some day. It’s certainly an inspiring place to be!

What’s great about playing in New York City? And could you ever see yourself living here?

TD: I spent two months in Manhattan, on Thompson Street, some years ago and I loved it. How everything was around the corner and there was always action and good times nearby. But I’m not a big city girl. It’s not in my nature to go to bars, party and stay up late. It never was — I’m totally boring like that. So no, those days are over. I’m an Icelander now and prefer to wake up to a view of old quiet mountains.

What is next in line for Tina Dico? What are you currently working on?

TD: I’m writing both for myself and for my husband, who’s recording his next album as we speak. It’s gonna be a while until my next one comes out but there might be some interesting side projects before then. Maybe I’ll pop by New York with a sample next autumn.

Someone You Love ON TOUR from Tina Dico/Dickow on Vimeo.

Categories
Culture Entertainment

Revival of early Justin Vivian Bond show at Joe’s Pub

Photo by Ben Kato/justinbond.com
Photo by Ben Kato/justinbond.com

A new run of Justin Vivian Bond’s show Dixie McCall’s Patterns for Living is part of the celebration of v’s 25th year as a performing artist. The show opens on September 25th at Joe’s Pub, and continues on the 26th and October 2nd, 3rd and 4th. (Bond goes by ‘v’ for all pronouns and is referred to by the title ‘Mx’.) Mx Bond is a cabaret performer; V has worked to revitalize and update cabaret to make it relevant to modern society and to a community including outsiders.

The initial run of Dixie McCall’s Patterns for Living began on September 9th 1990, in San Francisco. V collaborated with Kenny Mellman on the show, and it became the basis for V’s future shows. V was inspired partly by the glamorous 1950s aesthetic of Julie London, who played nurse Dixie McCall on the show Emergency in the 1970s. Bond eventually created the stage persona, Kiki DuRane, which helped V find more freedom of expression, and the persona became an essential aspect of V’s shows. V’s earlier performances sometimes led to disrespectful and personal commentary based on Bond’s gender expression. The character of Kiki helped insulate Bond from such reactions; she allowed Bond to perform with more creative freedom, including less concern about V’s gender expression. In a 2011 interview, V said, “The difficulty in telling your truth is that you have to find it first. Once that happens, things begin to get a bit easier, because you know what you have to do.” V’s adoption of a persona has, it seems, made it possible to be more of V’s real self as well.

Photo courtesy of justinbond.com
Photo courtesy of justinbond.com

V’s performances as Kiki featured covers of various songs, with layers of meaning added through Bond’s performances. Eventually, V decided to expand their performances beyond that persona. V has explained, “With Kiki I had a lot of rage and there was stuff going on emotionally in the world that I thought I could channel. At the end of the 15 years of doing Kiki I didn’t want to have to manufacture rage in order to serve what that character had become. Then I decided I needed to rediscover my own natural voice, instead of a character voice, and that is when I started writing my own songs and discovering my own voice. I did some originals and some covers on Dendrophile (2011).” Bond’s shows now have more of a focus on authenticity, without losing the creativity V began with.

One of the intentions for the show was to provide an escape for their community. The show opened in a world shaped by the AIDS crisis and other struggles, particularly for the LGBTQ community, and Bond hoped to alleviate the demoralizing situations many found themselves in. The show’s reopening comes at a time when much has changed, and much has not. Amidst cause to celebrate, such as the historic U.S. marriage equality ruling in June, it is still a difficult world to live in for many, for those who are transgender and otherwise. Dixie McCall’s Patterns for Living still has the potential to be powerfully relevant; the empowerment and uplift from an innovative, liberating creative vision such as Bond’s remains vital.

-by Miranda Stewart